Date: 3-4-01
VOICE ONE:
I'M SHIRLEY GRIFFITH
VOICE TWO:
AND I'M DOUG JOHNSON WITH PEOPLE IN AMERICA, A PROGRAM ABOUT
PEOPLE WHO ARE IMPORTANT IN THE HISTORY OF THE UNITED STATES.
TODAY WE PRESENT THE SECOND PART OF THE STORY OF ERNEST
HEMINGWAY'S LIFE AND WRITINGS.
(THEME)
VOICE ONE:
AT TWENTY-FIVE, HEMINGWAY WAS LIVING IN PARIS.
HE WAS A FAMOUS
WRITER.
BUT THE END OF HIS FIRST MARRIAGE MADE HIM WANT TO LEAVE
THE PLACE WHERE HE HAD FIRST BECOME FAMOUS.
YEARS LATER HE SAID, "THE CITY WAS NEVER TO BE THE SAME AGAIN.
WHEN I RETURNED TO IT, I FOUND IT HAD CHANGED AS I HAD CHANGED.
PARIS WAS NEVER THE SAME AS WHEN I WAS POOR AND VERY HAPPY."
VOICE TWO:
HEMINGWAY AND HIS NEW WIFE RETURNED TO THE UNITED STATES IN
NINETEEN-TWENTY-EIGHT.
THEY SETTLED IN KEY WEST, AN ISLAND WITH
A FISHING PORT NEAR THE SOUTHERN COAST OF FLORIDA.
BEFORE LEAVING PARIS, HEMINGWAY SENT A COLLECTION OF HIS STORIES
TO NEW YORK TO BE PUBLISHED.
THE BOOK OF STORIES, CALLED "MEN
WITHOUT WOMEN," WAS PUBLISHED SOON AFTER HEMINGWAY ARRIVED IN KEY WEST.
ONE OF THE STORIES WAS CALLED "THE KILLERS." IN IT, HEMINGWAY
USED A DISCUSSION BETWEEN TWO MEN TO CREATE A FEELING OF TENSION
AND COMING VIOLENCE.
THIS WAS A NEW METHOD OF TELLING A STORY:
STORYTELLER:
NICK OPENED THE DOOR AND WENT INTO THE ROOM.
OLE ANDRESON WAS
LYING ON THE BED WITH ALL HIS CLOTHES ON.
HE HAD BEEN A
HEAVYWEIGHT PRIZEFIGHTER AND HE WAS TOO LONG FOR THE BED.
HE LAY
WITH HIS HEAD ON TWO PILLOWS.
HE DID NOT LOOK AT NICK.
"WHAT WAS IT?" HE ASKED.
"I WAS UP AT HENRY'S," NICK SAID, "AND TWO FELLOWS CAME IN AND
TIED ME UP AND THE COOK, AND THEY SAID THEY WERE GOING TO KILL
YOU."
IT SOUNDED SILLY WHEN HE SAID IT. OLE ANDRESON SAID NOTHING,
"THEY PUT US OUT IN THE KITCHEN," NICK WENT ON.
"THEY WERE GOING
TO SHOOT YOU WHEN YOU CAME IN TO SUPPER."
OLE ANDRESON LOOKED AT THE WALL AND DID NOT SAY ANYTHING.
"GEORGE THOUGHT I OUGHT TO COME AND TELL YOU ABOUT IT."
"THERE ISN'T ANYTHING I CAN DO ABOUT IT," OLE ANDRESON SAID.
VOICE ONE:
ANY NEW BOOK BY HEMINGWAY WAS AN IMPORTANT EVENT FOR READERS.
BUT STORIES LIKE "THE KILLERS" SHOCKED MANY PEOPLE.
SOME THOUGHT
THERE WAS TOO MUCH VIOLENCE IN HIS STORIES.
OTHERS SAID HE ONLY
WROTE ABOUT GUNMEN, SOLDIERS, FIGHTERS, AND DRINKERS.
THIS KIND OF CRITICISM MADE HEMINGWAY ANGRY.
HE FELT THAT WRITERS
SHOULD NOT BE JUDGED BY THOSE WHO COULD NOT WRITE A STORY.
VOICE TWO:
HEMINGWAY WAS HAPPY IN KEY WEST.
IN THE MORNING HE WROTE, IN
THE AFTERNOON HE FISHED, AND AT NIGHT HE WENT TO A PUBLIC HOUSE
AND DRANK.
ONE OLD FISHERMAN SAID: "HEMINGWAY WAS A MAN WHO
TALKED SLOWLY AND VERY CAREFULLY.
HE ASKED A LOT OF QUESTIONS.
AND HE ALWAYS WANTED TO GET HIS INFORMATION EXACTLY RIGHT."
HEMINGWAY AND HIS WIFE PAULINE HAD A CHILD IN KEY WEST.
SOON
AFTERWARD HE HEARD THAT HIS FATHER HAD KILLED HIMSELF.
HEMINGWAY
WAS SHOCKED.
HE SAID, "MY FATHER TAUGHT ME SO MUCH.
HE WAS THE
ONLY ONE I REALLY CARED ABOUT."
WHEN HEMINGWAY RETURNED TO WORK THERE WAS A SADNESS ABOUT HIS
WRITING THAT WAS NOT THERE BEFORE.
HIS NEW BOOK TOLD ABOUT AN AMERICAN SOLDIER WHO SERVED WITH THE
ITALIAN ARMY DURING WORLD WAR ONE.
HE MEETS AN ENGLISH NURSE,
AND THEY FALL IN LOVE.
THEY FLEE FROM THE ARMY, BUT SHE DIES
DURING CHILDBIRTH.
SOME OF THE EVENTS ARE TAKEN FROM HEMINGWAY'S
SERVICE IN ITALY.
THE BOOK IS CALLED A FAREWELL TO ARMS.
PART OF THE BOOK TALKS ABOUT THE DEFEAT OF THE ITALIAN ARMY AT A
PLACE CALLED CAPORETTO:
STORYTELLER:
"AT NOON WE WERE STUCK IN A MUDDY ROAD ABOUT AS NEARLY AS WE
COULD FIGURE, TEN KILOMETRES FROM UDINE.
THE RAIN HAD STOPPED
DURING THE FORENOON AND THREE TIMES WE HAD HEARD PLANES COMING,
SEEN THEM PASS OVERHEAD, WATCHED THEM GO FAR TO THE LEFT AND
HEARD THEM BOMBING ON THE MAIN HIGHROAD.
.
.
.
"LATER WE WERE ON A ROAD THAT LED TO A RIVER.
THERE WAS A LONG
LINE OF ABANDONED TRUCKS AND CARTS ON A ROAD LEADING UP TO A
BRIDGE.
NO ONE WAS IN SIGHT.
THE RIVER WAS HIGH AND THE BRIDGE
HAD BEEN BLOWN UP IN THE CENTER; THE STONE ARCH WAS FALLEN INTO
THE RIVER AND THE BROWN WATER WAS GOING OVER IT.
WE WENT UP THE
BANK LOOKING FOR A PLACE TO CROSS.
.
.
.
WE DID NOT SEE ANY TROOPS;
ONLY ABANDONED TRUCKS AND STORES.
ALONG THE RIVER BANK WAS
NOTHING AND NO ONE BUT THE WET BRUSH AND MUDDY GROUND."
VOICE ONE:
A FAREWELL TO ARMS WAS VERY SUCCESSFUL.
IT EARNED HEMINGWAY A
GREAT DEAL OF MONEY.
AND IT PERMITTED HIM TO TRAVEL.
ONE PLACE
HE VISITED WAS SPAIN, A COUNTRY THAT HE LOVED.
HE SAID, "I WANT
TO PAINT WITH WORDS ALL THE SIGHTS AND SOUNDS AND SMELLS OF
SPAIN.
AND IF I CAN WRITE ANY OF IT DOWN TRULY, THEN IT WILL
REPRESENT ALL OF SPAIN."
A BOOK CALLED DEATH IN THE AFTERNOON WAS THE RESULT.
IT
DESCRIBES THE SPANISH TRADITION OF BULL FIGHTING.
HEMINGWAY
BELIEVED THAT BULL FIGHTING WAS AN ART, JUST AS MUCH AS WRITING
WAS AN ART.
AND HE BELIEVED IT WAS A TRUE TEST OF A MAN'S
BRAVERY, SOMETHING THAT ALWAYS CONCERNED HIM.
VOICE TWO:
HEMINGWAY ALSO TRAVELLED TO AFRICA.
HE HAD BEEN ASKED TO WRITE A
SERIES OF REPORTS ABOUT AFRICAN HUNTING.
HE SAID, "HUNTING IN
AFRICA IS THE KIND OF HUNTING I LIKE.
NO RIDING IN CARS, JUST
SIMPLE WALKING AND FEELING THE GRASS UNDER MY FEET."
THE TRIP TO AFRICA RESULTED IN A BOOK CALLED THE GREEN HILLS OF
AFRICA AND A NUMBER OF STORIES.
ONE STORY IS AMONG HEMINGWAY'S
BEST.
HE SAID A WRITER SAVES SOME STORIES TO WRITE WHEN HE KNOWS
ENOUGH TO WRITE THEM WELL.
THE STORY IS CALLED "THE SNOWS OF KILMANJARO." IT TELLS OF
HEMINGWAY'S FEARS ABOUT HIMSELF.
IT IS ABOUT A WRITER WHO
BETRAYS HIS ART FOR MONEY AND IS UNABLE TO REMAIN TRUE TO
HIMSELF.
VOICE ONE:
IN NINETEEN-THIRTY-SIX, THE CIVIL WAR IN SPAIN GAVE HIM A CHANCE
TO RETURN TO SPAIN AND TEST HIS BRAVERY AGAIN.
HE AGREED TO
WRITE ABOUT THE WAR FOR AN AMERICAN NEWS ORGANIZATION.
IT WAS A DANGEROUS JOB.
ONE DAY, HEMINGWAY AND TWO OTHER
REPORTERS WERE DRIVING A CAR NEAR A BATTLEFIELD.
THE CAR CARRIED
TWO WHITE FLAGS.
BUT REBEL GUNNERS THOUGHT THE CAR WAS CARRYING
ENEMY OFFICERS.
HEMINGWAY WAS ALMOST KILLED.
HE SAID, "SHELLS
ARE ALL THE SAME.
IF THEY DO NOT HIT YOU, THERE IS NO STORY.
IF THEY DO HIT YOU, THEN YOU DO NOT HAVE TO WRITE IT."
THE TRIP TO SPAIN RESULTED IN TWO WORKS, A PLAY CALLED THE FIFTH
COLUMN, AND THE NOVEL, FOR WHOM THE BELL TOLLS.
THE NOVEL TELLS
THE STORY OF AN AMERICAN WHO HAS CHOSEN TO FIGHT AGAINST THE
FASCISTS.
HE REALIZES THAT THERE ARE LIES AND INJUSTICE ON HIS
SIDE, AS WELL AS THE OTHER.
BUT HE SEES NO HOPE EXCEPT THE
VICTORY OF HIS SIDE.
DURING THE FIGHTING, HE ESCAPES HIS FEAR OF
DEATH AND OF BEING ALONE.
HE FINDS THAT "HE CAN LIVE AS FULL A
LIFE IN SEVENTY HOURS AS IN SEVENTY YEARS."
THE BOOK WAS A GREAT SUCCESS.
HEMINGWAY ENJOYED BEING FAMOUS.
HIS SECOND MARRIAGE WAS ENDING.
HE DIVORCED PAULINE AND MARRIED
REPORTER MARTHA GELLHORN.
HE HAD MET MARTHA WHILE THEY WERE
WORKING IN SPAIN.
THEY DECIDED TO LIVE IN CUBA, NEAR THE CITY OF
HAVANA.
THEIR HOUSE LOOKED OUT OVER THE CARIBBEAN SEA.
BUT THIS MARRIAGE DID NOT LAST LONG.
HEMINGWAY WAS CHANGING.
HE
BEGAN TO FEEL THAT WHATEVER HE SAID WAS RIGHT.
MARTHA WENT ON
LONG TRIPS TO BE AWAY FROM HIM.
HE DRANK HEAVILY TO FORGET HIS
LONELINESS.
VOICE TWO:
WHEN AMERICA ENTERED WORLD WAR TWO, HEMINGWAY WENT TO BRITAIN AS A REPORTER.
LATER HE TOOK PART IN THE INVASION OF EUROPE AND THE
FREEING OF PARIS.
DURING THE WAR HEMINGWAY MET ANOTHER REPORTER, MARY WALSH.
IN
NINETEEN-FORTY-FIVE, WHEN HIS MARRIAGE TO MARTHA WAS LEGALLY
OVER, HE MARRIED MARY.
AFTER THE WAR, HEMINGWAY BEGAN WORK ON HIS LAST IMPORTANT BOOK,
THE OLD MAN AND THE SEA.
IT IS THE STORY OF A CUBAN FISHERMAN
WHO REFUSES TO BE DEFEATED BY NATURE.
HEMINGWAY SAID, "I WAS TRYING TO SHOW THE EXPERIENCE OF THE
FISHERMAN SO EXACTLY AND DIRECTLY THAT IT BECAME PART OF THE
READER'S EXPERIENCE."
IN NINETEEN-FIFTY-FOUR, HEMINGWAY WON THE NOBEL PRIZE FOR
LITERATURE.
BUT HE WAS TOO SICK TO TAKE PART IN THE CEREMONY.
VOICE ONE:
ERNEST HEMINGWAY WAS SIXTY YEARS OLD, BUT HE SAID HE FELT LIKE HE
WAS EIGHT-SIX.
AND, EVEN WORSE, HE FELT THAT HE NO LONGER WAS
ABLE TO WRITE.
HE SEEMED TO BE LIVING THE STORY ABOUT THE WRITER
WHO HAD SOLD HIS WRITING SKILL IN ORDER TO MAKE MONEY.
IN NINETEEN-SIXTY-ONE ERNEST HEMINGWAY KILLED HIMSELF.
AMONG THE
PAPERS HE LEFT WAS ONE THAT DESCRIBED WHAT HE LIKED BEST:
"TO STAY IN PLACES AND TO LEAVE.
.
.
TO TRUST, TO DISTRUST.
.
.
TO NO
LONGER BELIEVE AND BELIEVE AGAIN.
.
.
TO WATCH THE CHANGES IN THE
SEASONS.
.
.
TO BE OUT IN BOATS.
.
.
TO WATCH THE SNOW COME, TO WATCH
IT GO.
.
.
TO HEAR THE RAIN.
.
.
AND TO KNOW WHERE I CAN FIND WHAT I
WANT."
(THEME)
VOICE TWO:
THIS PROGRAM WAS WRITTEN BY RICHARD THORMAN. I'M DOUG JOHNSON.
VOICE ONE:
AND I'M SHIRLEY GRIFFITH.
JOIN US AGAIN NEXT WEEK FOR ANOTHER
PEOPLE IN AMERICA PROGRAM IN SPECIAL ENGLISH ON THE VOICE OF
AMERICA.